the Honest Audiophile

These views are NOT pointed at anyone in particular but at the audio community as a whole. 

Discord: https://discord.gg/kuHQQRS5qB

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DBS Tech Talk research and review process: https://youtu.be/UkSnoZZNyYc

Audio Terms and Definitions: https://www.stereophile.com/reference/50/index.html

Music recommendations:

https://tidal.com/browse/playlist/5bbf80ce-33f3-4222-a1fc-6539a95415d6 (in order of playlist)

Tingvall Trio “Beat” - piano tonality

Sinne Eeg “We’ve Just Begun” - multiple layer soundstage

Molly Johnson “What a Little Moonlight Can Do” - female vocal tone

Leslie Odom Jr. “Under Pressure” - male vocal tone

Eric Clapton “Change the World” - soundstage, layering and placement

Yo Yo Ma “Ecstasy of Gold” - acoustic instrument timbre

Adam Baldych “Spem in Alium” - acoustic instrument timbre

Pain of Salvation “Stress” - percussion balance

Michael Buble “When I Fall in Love” - orchestral dynamics

Patricia Barber “Code Cool” - sibilance check

Christian Scott “New New Orleans” - shouty upper mids

Tool “Chocolate Chip Trip” - imaging

Hans Zimmer “Why So Serious” - sub bass extension

Marcus Miller “No Limit” - bass control

Dave Holland Quartet “Conference Of The Birds”- bass check

Ilhan Eshkeri “47 Ronin”- orchestra and bass dynamics

Hans Zimmer :2049” - sub bass extension

Cher: Believe - sibilance

Stanley Clarke - Passenger 57 main title - percussion, bass, separation and placement

Slovak Radio Symphony Orchestra - The Pine of the Appian Way - soundstage, imaging and separation

Houston Person - You are my Sunshine - tone and timbre

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