Audiophile Style
Audiophile Style, LLC
Audiophile Style is the source for quality over quantity, class over mass, and boutique over big box. With roots in high tech and high fidelity, this is the place for home audio on another level. We discuss HiFi products, concepts, and services. We interview the biggest names in the business and they turn to us when releasing new products. If you like high quality sound, this is the podcast for you.
Kategorien: Technologie
Hören Sie sich die letzte Folge an:
An interview with Frankie Tan and Kelvin Lee of OraStream.
Based in Singapore, OraStream offers both behind the scenes technology and services to music streaming companies such as the Neil Young Archives, Naxos, and Primephonic, and it offers a direct to consumer application and service called Brio.
If there is one technology that should be embraced by all the music streaming services, it’s Orastream’s MPEG-4 SLS offering. It’s a solution to real problems, that requires no special hardware or decoder, and leaves the audio signal 100% unaffected for those streaming with a good network connection.
As you’ll hear, The OraStream Service is an end-to-end audio delivery platform. It works with full resolution audio recordings to deliver the highest quality of streaming audio on web, desktop, and mobile music players. The Audio adapts automatically to network bandwidth fluctuations for uninterrupted playback on cellular Wi-Fi, or wired networks. When bandwidth allows, music plays at full bit-perfect resolution. When bandwidth degrades, music plays at less than full resolution audio quality. The process of network-based, audio quality adaptability is dynamic and transparent to the music listener.
Both Frankie and Kelvin have a wealth of education and experience, and knowledge about streaming audio and the technologies surrounding it. Listeners on the geekier side will enjoy their technical descriptions of how OraStream works, but those a bit less tech savvy will equally appreciate how they explain the clear benefits to consumers.
For example, it’s fascinating to hear Frankie describe how Amazon Music HD works by slipping lower resolution audio into the middle of a high resolution track, and this being the reason Amazon can’t offer exclusive mode in its applications.
Vorherige Folgen
-
28 - OraStream Interview Mon, 19 Jul 2021
-
27 - RAAL-requisite Interview Mon, 12 Jul 2021
-
26 - Dirac Research Interview Mon, 05 Jul 2021
-
25 - Innuos Interview Mon, 28 Jun 2021
-
24 - Volumio Interview Mon, 21 Jun 2021
-
23 - Audirvana Interview Mon, 14 Jun 2021
-
22 - Mitch Barnett of Accurate Sound Interview Mon, 07 Jun 2021
-
21 - Aurender Interview Mon, 31 May 2021
-
20 - Part 2 Rockport Technologies Interview Mon, 24 May 2021
-
19 - Part 1 Rockport Technologies Interview Mon, 17 May 2021
-
18 - Part 2 Acoustic Sounds CEO Chad Kassem Interview Mon, 10 May 2021
-
17 - Part 1 Acoustic Sounds CEO Chad Kassem Interview Mon, 03 May 2021
-
16 - Radio Paradise Interview Mon, 26 Apr 2021
-
15 - McIntosh Co-CEO Jeff Poggi Interview Mon, 19 Apr 2021 - 0h
-
14 - Part 2 Bill Schnee Interview Mon, 12 Apr 2021
-
13 - Part 1 Bill Schnee Interview Mon, 05 Apr 2021
-
12 - McIntosh Group's Livio Cucuzza Interview Mon, 29 Mar 2021
-
11 - Linn Interview Mon, 22 Mar 2021
-
10 - Bryston Interview Mon, 15 Mar 2021
-
9 - Boulder Amplifiers Interview Mon, 08 Mar 2021
-
8 - Music Photographer Charles Peterson Interview Mon, 01 Mar 2021
-
7 - Ayre Acoustics Interview Mon, 22 Feb 2021
-
6 - Qobuz Interview Mon, 15 Feb 2021 - 0h
-
5 - Audio Research Interview Mon, 08 Feb 2021
-
4 - Schiit Audio Interview Mon, 01 Feb 2021 - 0h
-
3 - dCS Interview Mon, 25 Jan 2021
-
2 - Wilson Audio Interview Sun, 17 Jan 2021 - 0h
-
1 - Roon Labs Interview Tue, 05 Jan 2021